A new methodology for vitality, consciousness and architectural responsibility.
From Function to Vitality
Throughout much of the 20th century, architecture and interior design were assessed according to functionality and efficiency. Aesthetics was a permitted ‘add-on’, considered only once the finances had been secured and basic functionality satisfied in the name of the growth economy.
Today, our resources are changing. The sustainable growth paradigm has moved beyond the optimisation of machinery and production towards quality of life.
This opens up a new professional understanding: aesthetics is not a layer added on top of function. It is a vital source of human energy, well-being and consciousness.
This article offers professional architects and interior designers a new tool: a system for the aesthetic positioning of clients, enabling people to be matched with environments that support their biological preferences.
The Inner State as a Professional Foundation
Professor Steen Hildebrandt expresses it clearly:
“The leader’s inner state, underlying causes and motives are important.”
Steen Hildebrandt
Professional quality in architecture and design depends on the inner state of the person creating it.
A vital inner state creates vital buildings.
A restricted inner state creates restricted spaces.
Vitality as an Exchange of Information
Human vitality is a function of the exchange of information taking place between people and their surroundings, including at the quantum level.
Lynne McTaggart describes it in this way:
“All matter in the universe is connected at the subatomic level through a constant dance of quantum energy exchange.”
Lynne McTaggart
Architecture and interior design must therefore support a living exchange of information between space and the human being.
Brutal compositions, hard corners and mechanistic structures reduce vitality. Organic forms, natural materials and conscious choices of colour increase it.
From the ‘Machine for Living’ to the Soul Machine
The Bauhaus ‘machine for living’ was a product of its time: functionality as the ideal and the human being as a mechanical unit.
Today, we are in a different place.
The human being is not a physical fragment, but consciousness in constant transformation.
The contemporary task is therefore to transform the ‘machine for living’ into a Soul Machine.
This means:
- creating spaces that support human inner dynamics
- designing environments that invite growth
- working with materials, colours and structures as forms of energy
Model 1: Architect/Designer ↔ The Person Using the Space
How intention becomes experience
This model shows the reciprocal movement between creation and experience:
- The architect’s path: Spirit → Inspiration → Idea → Feeling → Structure → Materialisation
- The spatial user’s path: Sensing → Perception → Atmosphere → Feeling → Structure → Transcendence → Joy
It is a double spiral.
Design becomes experience, and experience becomes quality of life.
Aesthetics as the Language of Nature
Danah Zohar describes how our aesthetic needs arise from the physical foundation of consciousness:
“By relating the aesthetic dimension of everyday objects to our aesthetic needs, we can find natural criteria for beauty in the physical foundations of consciousness.”
Danah Zohar
We are conscious beings who carry nature within us.
We therefore thrive in environments that represent the structures of nature:
- variation
- asymmetry
- texture
- depth of colour
- organic forms
Inspired by Danah Zohar
Objective Beauty and Psychological Waste
C. G. Jung describes a ‘higher subjectivity’, in which objectivity arises when psychological waste is transformed.
Jes Bertelsen elaborates:
“The more people there are on Earth, the more the amount of psychological waste grows… the amount of projected waste also grows.”
Jes Bertelsen
Aesthetics can help transform psychological waste by:
- creating spaces that invite inner clarity
- reducing noise, chaos and mechanistic monotony
- increasing the human capacity to encounter oneself and others
Model 2: TOOL FOR GROWTH
A scale for beauty, vitality and consciousness
- Area A: Ugliness, energy depletion
- Area B: Beauty, balance
- Area C: Beauty, creative expansion
- Area D: Ugliness, overload
The professional task is to position the client within B or C, never A or D.
Area A: Ugliness, Energy Depletion
- mechanistic design
- synthetic materials
- hard corners
- stagnation, isolation and alienation
Area D: Ugliness, Overload
- chaos
- noise
- turbulence
- too many associations
Area B: Comfort Zone
- balance
- character
- variation
- representations of nature
- the client thrives
Area C: Creative Zone
- expansion
- deep dialogue
- new meanings
- growth of consciousness
Danah Zohar describes it in this way:
“Quantum systems are like poems, full of meanings not yet realised and always asking to be interpreted.”
Danah Zohar
Aesthetics as a Professional Responsibility
Bertolt Brecht expressed it sharply:
“Art is not a mirror held up to reality, but a hammer with which to shape it.”
Bertolt Brecht
When we replace ‘art’ with architecture and interior design, the statement becomes:
Aesthetics shapes reality.
This means:
- structures influence emotions
- materials influence thoughts
- colours influence action
- spaces influence consciousness
Professionals therefore have a responsibility to:
- avoid A and D
- create B and C for the individual client
- match representations of nature with the client’s inner dynamics
Social Value
Aesthetics drives the human capacity for growth.
When professionals design spaces that match the structures of nature and the client’s consciousness, they create:
- greater well-being
- better relationships
- increased creativity
- less psychological waste
- stronger communities
This is the new sustainability: Inner sustainability.
Expand Your Worldview
Quantum mechanics and consciousness practice share a principle:
Attention creates reality.
When professionals change their attention, they change their design.
When design changes, people’s lives change.
When people’s lives change, society changes.
Expand Your Professional Practice
Blissbode invites architects, interior designers, consultants and organisations to work more precisely with aesthetics as a social, sensory and regenerative value.
A collaboration may include:
- Tool for Growth™
- aesthetic client positioning
- atmospheric mapping
- sensory preferences
- Field Maps
- regenerative concept development
- pilot projects
- documentation and evaluation
Stop treating aesthetics as the element that comes last.
Use aesthetics as a professional tool for creating environments in which more people can belong, participate and develop.
Contact: Contact Blissbode
Blissbode develops practice-based methods that are undergoing active research development and validation, including through the Resonant Living Project™. The work complements, but does not replace, relevant medical, psychological, geological, electromagnetic or building-related professional advice.
© Bonna Ravn Thomsen / Blissbode. Mechanical, photographic or electronic reproduction of this text, or any part of it, requires written permission from Blissbode.